In the series Monochromasters I use a computer program to calculate the median color of famous works of art.
Then I reproduce the works using the same size as the original works and the works are titled using the title and artist of the original.
I wanted to see if anything of a connection with the original remains. What is the essence of a work of art. When does a reproduction lose all connection to the original. The process reminds me of homeopathy: trying to dillute the originals to the extreme, so the result has a strong effect on its own.
Sunflowers by van Gogh
Portrait of the artist as a young man by Rembrandt
I have made several series based on this concept, experimenting with medium, size and material: